And God Said
a new musical composed
by Ron Melrose as directed by Jeff Barker
Perusal scripts and
sample scores
The complete script
is available for free download (WORD, PDF)
For printable
segments of the score, click on the following links:
01. PROLOGUE
(Genesis 2: 4-5) (PDF)
02. RITUAL
(Genesis 2: 4-15) (PDF)
03. LEAVING
HOME (Genesis 2:16--3:24) (PDF)
06.
TRANSITION: SPIRITUAL SONG #2
(Judges 16:28b) (PDF)
07.
THE PILLARS OF SAMSON (Judges
16:1-30) (PDF)
15. TRANSITION:
CONFESSIONAL PRAYER (Psalm 51: 15-17) (PDF)
17.
TRANSITION: CHORALE (1 Kings
3:9b) (PDF)
22.
THE BINDING OF ISAAC (Genesis 22:1-18a) (PDF)
23.
BENEDICTION (Genesis 22:17-18a)
(PDF)
Complete
perusal scores
To obtain a complete perusal score,
send e-mail address and a check for $25, payable to Winter Bride Music, Inc.,
to
Ron
Melrose
Winter
Bride Music, Inc.
35-07 24th Avenue
Astoria,
NY 11103
Rights
to produce And God Said
To obtain rights to produce all or a
portion of And God Said, contact
Ron Melrose
- at address above
- or by phone (718) 721-2730
- or e-mail winterbridemusic@nyc.rr.com
Ron will send out a licensing
application and price sheet for full score, vocal score, and instrumental
parts. If you’ve already purchased a
full perusal score, that amount will be applied as a full credit to the
score-and-parts package rate you select.
ALL SCORES AND PARTS WILL BE SENT AS .pdf FILES TO BE PRINTED AT YOUR
LOCATION.
Biographies
RON MELROSE (Composer) has spent the last twenty-eight
years in New York City, making music in theatres and
churches. His Broadway credits include music direction (Imaginary Friends,
Scarlet Pimpernel, Sinatra at Radio City Music Hall), dance and/or
vocal arranging (Sweet Smell of Success, Jekyll & Hyde,
Perfectly Frank, The Act, Marilyn: An American Fable,
Woman of the Year, Cabaret), and conducting (Smile, Annie,
The Rink). As a composer and lyricist, Ron’s credits include Superdimensional
Microbabes (an upcoming anime-based musical), Fourtune
(Off-Broadway), The Silver Swan (National Endowment for the Arts
Fellowship), two Harvard Hasty Pudding shows (Tots in Tinseltown,
Bewitched Bayou), a Sonata for Flute and Piano, one pop hit (Disco Clone),
and a variety of songs for cabarets, club acts, and NBC’s “Saturday Night
Live.” His church music experience includes a ten-year music directorship at
All Angels' Episcopal Church, NYC, where he formed and directed a gospel choir
from the homeless community served by the church. Ron's liturgical compositions
(in addition to And God Said...) include three theatrical projects
available on CD (The Missing Peace, Songs I Won’t Be Singing, and
Early One Morning), a gospel-based Requiem, and a number of choral
anthems, offertories, and settings of service music. His formal education
includes degrees in philosophy (Harvard) and choral conducting (Westminster Choir College),
and his family includes Alexandra and Jake
Jeff Barker (Director), MFA, University of South Dakota. Directing and
Playwriting. Dozens of Jeff’s plays have been produced in this country
and overseas. His play Kin won the 2002 Iowa Playwrights
Competition. His 9/11 based drama, “September Bears” appeared
Off-Broadway in 2003. Jeff’s plays are online at: www.nwciowa.edu/barkerplays
The
history of And God Said
Bible
scholar Dr. Tom Boogaart says that this full-length musical is actually a
series of ten ancient plays – stories crafted in dramatic form, intended from
their inception for performance. The
stories included in And God Said are taken verbatim from several
early Bible books, using the King James Version.
These
ten each stand alone, but together they form a powerful musical and narrative
journey. Here are some of the responses
from the first version opening in April, 2004:
“And
God Said is far more amazing, inspiring, challenging, profound…than I ever
could have imagined.”
- Nancy Franken, theatre patron
“Outstanding! And God Said was a re-awakening to the
Bible stories of my youth.”
- Erik Hoekstra, college Board member
“And
thank you for And God Said. I
heard people say, ‘I’m going to go home and read the script. I think I’ve been missing something.’”
-
Professor Carl Vandermeulen
“I
called my wife at midnight to talk to her about And God Said. I just had to tell everyone I knew about this
wonderful production and how it affects you as a person in the theatre.”
-
Craig Ihnen, Executive Director of Iowa
High School Speech Association
“What
a beautiful and remarkable show. I have
seen And God Said four times and I get something different out of it
every time. You have created something
more wonderful than I could have ever imagined.” - Micah Trapp, college student
“There
were just some of the most beautiful points (Abraham kissing Sarah on the
cheek, baby Moses being breast fed). It
just all hit me, and it was overwhelming.
It made the Bible real to me.”
-
Rebekah Edwards, college student
The
14 songs of And God Said
The
text is the Bible. The text becomes song
in the following ways:
- The CANTORS
sing (or lead the cast or even the audience in singing) worship songs
which serve as transitions between the stories. The text of these songs is usually taken
directly from the story which is about to be enacted. This category of song includes:
“These Are the Generations” (Prologue)
“And She
Called His Name Moses”
“Samson’s Song”
“What
Man is He”
“Elisha’s
Song”
“O Lord, Open Thou My Lips”
“For Who is Able to Judge”
“Abraham’s
Song”
“All the Nations of the Earth” (Benediction)
- Whenever
God speaks, these sections are sung by the CANTORS.
“Leaving Home”
“The
Broken Heart of David”
“Solomon
and the Harlots”
“Sarah
Laughs”
“The Binding of Isaac”
- One of the stories we
selected is a famous battle song (Judges 5: 2-31), and Ron has set the
entire original text to music, using seven singers.
“The
Battle Song of Deborah”
Cast
requirements
And God Said can be performed with an ensemble
cast of 12 singer/actors (6 males, 6 females), and one small boy. Or you may use many more performers if you
wish.
The
Score
Full orchestration
and individual parts are available for:
two synthesizers, two percussionists, and a variety of
treble and bass lines to be divided among acoustic instruments, allowing
any given production to utilize available musicians (the original
production assigned these lines to an ensemble consisting of flute, two
oboes, clarinet, violin, trumpet, bassoon, horn, trombone, and cello).