Northwestern College

HISTORY OF IOWA

History 241-1, Fall Semester, Second Half, 2010

(2 Credits)

 

Professor: Douglas Firth Anderson
Office, Phone, & E-mail: VPH 212, x7054, firth@nwciowa.edu
Office hours: MWF, 2:10-3:10 p.m., or by appointment

Class Period: MWF, 11:50-12:50 p.m.
Class Location: VPH 207
 

 

Web page: http://home.nwciowa.edu/firth/

Course materials available on MyNorthwestern

 

WISDOM FOR THE JOURNEY

I. Why Study History?

A. [W]e intend Northwestern graduates to be persons who

    Engage Ideas

  • Demonstrating competence in navigating and contributing to the world of ideas and information, having learned to listen, read, question, evaluate, [and] write ... with a disciplined imagination.
  • Pursuing truth faithfully in all aspects of life; developing, articulating, and supporting their own beliefs; and seeking meaningful dialog with those holding different convictions.

From the NWC Vision for Learning

B. Life can only be understood backwards ... .

Soren Kierkegaard, as quoted in Laurence J. Peter, ed., Peter's Quotations: Ideas for Our Time (New York: Bantam Books, 1977), 305.

C. [H]istory holds the potential ... of humanizing us in ways offered by few other areas in the school curriculum. ...

The argument I make pivots on a tension that underlies every encounter with the past: the tension between the familiar and the strange, between feelings of proximity and feelings of distance in relation to the people we seek to understand. ...

Sam Wineburg, Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past (Philadelphia: Temple University Press, 2001), 5.

II. Why Isn't Studying and Understanding History Simple?

A. [H]istory [i]s a web of contingency.  Contingency is about events, choices, and agency. Webs are about structures and processes, which amplify the agency of individual choices in some ways, and constrain them in others.

David Hackett Fischer, "Response to Yerxa, Kersh, Glen, and Morone," Historically Speaking 7 (Sept./Oct. 2005), 25.

B. The historian … might well take as her credo this statement by Karl Marx from The Eighteenth Brumaire of Louis Bonaparte: “Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given, and transmitted from the past. …” Or, as stated more concisely in The German Ideology, “circumstances make men just as much as men make circumstances.”

 

David Nasaw, “AHR Roundtable: Historians and Biography. Introduction,” American Historical Review 114 (June 2009): 578.

 

C. History-making . . . is a creative enterprise, by means of which we fashion out of fragments of human memory and selected evidence of the past a mental construct of a coherent past world that makes sense to the present.

Gerda Lerner, “The Necessity of History,” in Why History Matters: Life and Thought, idem (New York: Oxford University Press, 1997), 117.

III. Iowa and History:

Given [Iowa’s] location, its time of initial settlement and its general social and demographic characteristics, [an] apt description might be “middle land.”

Dorothy Schwieder, Iowa: The Middle Land (Ames: Iowa State University Press, 1996), x.

Each region’s history in its own special way suggests . . . the foolishness of docilely accepting a national history that ignores place, that tells history stories in terms of some abstract, geography-neutral process.

James H. Madison, “Diverging Trails: Why the Midwest is Not the West,” in Frontier and Region: Essays in Honor of Martin Ridge, eds. Robert C. Ritchie and Paul Andrew Hutton (Albuquerque: University of New Mexico Press, 1997), 50.

IV. How Might a Christian Perspective Shape Our Understanding of History?

 

Does Micah’s injunction to “do justice, love kindness, and walk humbly with your God” (6:8) have any bearing on a Christian’s historical work?  I believe that it does.  We do justice when we give all the historical actors their due, not privileging those who had the most power, or for whom we have more data.  Loving kindness means exercising compassion towards our historical subjects.  They were no more limited by their location and biases than we are.  They were creating their lives as they went; we need to re-create those lives with a minimum of moralizing.  To walk humbly is to recognize that even hindsight is not fully accurate and that our accounts are never definitive.

G. Marcille Frederick, “Doing Justice in History: Using Narrative Frames Responsibly,” in History and the Christian Historian, ed. Ronald A. Wells (Grand Rapids, MI: William B. Eerdmans Publishing, 1998), 220.

 

COURSE DESCRIPTION:

What is this course? This course surveys from a historical perspective the natural, social, and cultural landscapes of the place now known as Iowa.  Various aspects of Iowa history will be examined, including geography, agriculture, towns and cities, industry, racial and ethnic groups, and religion.

What will class meetings be like? The course will meet three times a week. In general, lectures will constitute much of in-class time. Additionally, however, significant time will be regularly taken in discussion of the readings; occasionally, visual materials (slides and films) will be the in-class focus.

What will be expected in general of each student? The workload of the course reflects both liberal arts expectations in general and historical method in particular. Attendance at all class meetings is, of course, expected. Some 1200 pp. of reading will be required. Writing will include two exams as well as a book essay. Discussion time will be provided for.

COURSE OBJECTIVES (WHAT DIFFERENCE THIS COURSE SHOULD MAKE):

1.      To become familiar with major elements and examples of Iowa’s social and cultural history, since Iowa is where the Northwestern College community is located and also the home place of many of NWC’s students, staff, and faculty.  Critically knowing one’s locale—the social and cultural landscape in interaction with the natural landscape—is essential to living “in but not of” a place (having roots yet not being rootbound).

2.      To further develop beyond general education history courses skills in analytical reading, critical thinking and writing, and oral discussion through course assignments and activities, since such skills are key tools for learning how, with the Apostle Paul, to "take every thought captive to obey Christ" (2 Cor. 10:5).

3.      To further develop beyond general education history courses the practice of historical method through deeper attention through course material to the 5 Cs of historical work: change over time, context, causality, contingency, and complexity, since historical method can be a tool for living "wise as serpents and innocent as doves" (Mt. 10:16).

4.      To provide tools and opportunity for beginning the integration of an understanding of the concept of place with a Christian perspective on faith and life, for "in [Christ] all things hold together" (Col. 1:17).

COURSE OUTLINE:

 

Date (MWF)

In-Class Subjects & Major Due Dates

Reading Assignments
(to be done FOR class on the date noted)

Oct. 20

Course Introduction

 

Oct. 22

The Prairies & Iowa as a Middle Place

*Scheese, in MyNorthwestern

*Schwieder, in Bergman

Oct. 25

The First Iowans

*Bunge, in MyNorthwestern

*Green, in Bergman

*Anderson 1, in MyNorthwestern

Oct. 27

Prairie Frontier I

*Olson, in MyNorthwestern

*Riley, in Bergman

*Bogue, in Bergman

Oct. 29

Prairie Frontier II

*Cook, in Bergman

*Dykstra, in Bergman

Nov. 1

The Civil War I

* Elder, pp. ix-129

Nov. 3

The Civil War II

* Elder, pp. 130-227

Nov. 5

The Civil War III

* Elder, pp. 228-336

Nov. 8

Railroads, Towns, and Industry I

*Stromquist, in Bergman

*Silag, in MyNorthwestern

Nov. 10

Railroads, Towns, and Industry II

*Morain, in Bergman

*Hewitt, in MyNorthwestern

Nov. 12

EXAM 1

 

Nov. 15

Railroads, Towns, and Industry III

*Larson, in Bergman

Nov. 17

Railroads, Towns, and Industry IV

*Ostler, in Bergman

*Jensen, in Bergman

*Anderson 2, on MyNorthwestern

Nov. 19

Villisca: Living with a Mystery

 

Nov. 22

Heartland or Backwater I

*Schwieder & Wall, in Bergman

*Fink, in Bergman

Nov. 29

Heartland or Backwater II

*Freidberger, in Bergman
*Mohr, in Bergman

Dec. 1

The Straight Story, Pt. 1

 

Dec. 3

The Straight Story, Pt. 2

 

Dec. 6

FILM ESSAY DUE/

Contemporary Iowa and the First Iowans I

*Foley, pp. vii-83

Dec. 8

Contemporary Iowa and the First Iowans II

*Foley, pp. 84-149

Dec. 10

Contemporary Iowa and the First Iowans III

*Foley, pp. 150-246

Dec. 14

EXAM 2 (assigned final time, Tu., 8-10 a.m.)

 

 

 

COURSE REQUIREMENTS:

 

1. Reading:

 

·         Anderson, Douglas Firth. “Wapello” and “Allison, William Boyd.”  The Biographical Dictionary of Iowa. Edited by David Hudson, Marvin Bergman, and Loren Horton. Iowa City: University of Iowa Press, 2008. ON MYNORTHWESTERN

·         Bergman, Marvin, ed.  Iowa History Reader.  [Rev. ed.] Iowa City: University of Iowa Press, 2008. ISBN 9781587296345

·         Bunge, Robert.  “Indian Iowa.”  In Take This Exit: Rediscovering the Iowa Landscape.  Edited by Robert F. Sayre.  Ames: Iowa State University Press, 1989. ON MYNORTHWESTERN

·         Elder, Donald C., III, ed..  Love Amid the Turmoil: The Civil War Letters of William and Mary Vermilion.  Iowa City: University of Iowa Press, 2003.  ISBN 101587296098

·         Foley, Douglas E.  The Heartland Chronicles.  Philadelphia: University of Pennsylvania Press, 1995.  ISBN 0812215621

·         Hewitt, William L.  “’Wicked Traffic in Girls: Prostitution and Reform in Sioux City, 1885-1910.”  Annals of Iowa 51 (1991): 123-148. ON MYNORTHWESTERN

·         Olson, Greg.  “Tragedy, Tourism, and the Log Cabin: How Abbie Gardner Sharp and Charlotte Kirchner Butler Preserved and Promoted the Past.”  Iowa Heritage Illustrated 82 (Summer 2001): 56-77. ON MYNORTHWESTERN

·         Scheese, Don.  “Changes in an Iowa Landscape.”  In Take This Exit: Rediscovering the Iowa Landscape.  Edited by Robert F. Sayre.  Ames: Iowa State University Press, 1989. ON MYNORTHWESTERN

·         Silag, William.  “The Conquest of the Hinterland: Railroads and Capitalists in Northwest Iowa after the Civil War.”  Annals of Iowa 50 (1990): 475-506. ON MYNORTHWESTERN

·         The Straight Story.  DVD. Directed by David Lynch. 1999; Burbank, CA: Buena Vista Home Entertainment, n.d.

·         Villisca: Living with a Mystery. DVD. Produced by Kelly and Tammy Rundle. 2004; Moline, IL: Fourth Wall Films, 2006.

2. Assignments:

A. TWO EXAMS will constitute 60% of the course grade.

1.      A midcourse exam will be given in class on Fri., Nov. 12. It will constitute 25% of the course grade.

2.      A final exam will be given during the scheduled finals week time (Tu., Dec. 14, 8-10 a.m.). It will be comprehensive, and it will constitute 35% of the course grade.

3.      Each exam will each comprise at least two essay questions to be written in class.

4.      For each exam, a study sheet will be distributed a week ahead of the exam.

5.      On exam days, no textbooks or other course material should be used during the exam (on penalty of voiding the entire exam) except for one 8 ½ x 11 inch exam note sheet of outlines and notes (typed or handwritten, both sides if necessary). This exam note sheet must be handed in with the exam blue book.

6.      Blue books will be required for each exam. (These are available in the NWC bookstore.)

B. QUESTIONING ARTICLES will constitute 20% of the course grade.

 

1.      There are ten class days for which one or more article from Bergman’s book or from MyNorthwestern are assigned reading.

2.      For each of these ten days, your admission to class is a “Questioning Article” page (QA). That is, if you do not offer a QA page to me at the beginning of each such class, you will need to leave the class, since you will not be prepared for participation.

3.      Each QA page is to be on one of the assigned articles for that class day. If there is more than one assigned article to choose from on a given day, which article to do is up to each student (excepting the two Anderson articles; they are too short, and they are of a different sort than all the others).

4.      A QA page should consist of the following:

 

a)      One page, typed single spaced, with a header (your name, date, RSC Box #, and the title and author of the chosen article).

b)      One paragraph summarizing the substance of the article (i.e., thesis, main points, key evidence).

c)      A one-sentence question or problem arising from the chosen article.

d)      One or more paragraph (up to a page) explaining your question or problem (i.e., what in/about the article evoked the question/problem) and speculating on a possible answer(s) or ways of investigating the question/problem.

e)      When quoting or otherwise referring to specific pages in the assignment, note the page(s) in parentheses, e.g. (17-18).

 

5.      Each QA page is worth 2% of the course grade (2% x 10 = 20%). The grade for each QA page will be x out of 10.

6.      The criteria for evaluation of each QA page are

 

a)      How have you met the stipulations of the assignment?

b)      How historically attuned is your question/problem, explanation, and speculation (i.e., how thoughtfully have read the chosen article, considered it in historical context, and shown awareness of interpretive challenges)?

c)      How lucid and cogent is your writing?

C. A FILM ESSAY will constitute 10% of the course grade.

1.      A written film essay is due by 11:55 p.m., Mon., Dec. 6.

2.      The essay should be on The Straight Story.

3.      The essay should critically relate the film to course materials and issues through responding to the following question: How much does The Straight Story mythologize or romanticize Iowa society and culture?  That is, does this film suggest more a real, historic Iowa or more a "field of dreams"?  The essay should critically (i.e., thoughtfully and analytically) relate the film to the Iowa of history.

4.      The report should be 4-5 pp., typed, double spaced, with a header containing the student’s name, the due date, e-address, and a title.

5.      Quotations should be in Chicago style form, either foot- or endnotes.  See form guides available through the Ramaker Library homepage (http://www.nwciowa.edu/library/research/citing_sources.aspx).

6.      The essay should be submitted as a Microsoft Word file (that is, .doc or rtf. files; .docx files occasionally pose problems for our older programs) through MyNorthwestern (when in your MyNorthwestern account, click on this course, then click on coursework, then click on the appropriate paper, then, in the drop box, search for your Word file, select it, and send it in).  MyNorthwestern will automatically send your paper to Turnitin.com.  If you encounter trouble in submitting the paper through MyNorthwestern, consult with the folks in the Computer Center, especially Tina Jansen and the Help Desk folks (helpdesk@nwciowa.edu).  A graded copy will be returned to you by e-mail attachment.

7.      Evaluation of the essay will include the following factors: 1) how completely and well are all of the formal specifications above met? 2) how clear and coherent is the essay? 3) how accurately, thoughtfully, and insightfully is the film understood, analyzed, and evaluated in relation to Iowa’s history?

 

D. CLASS PARTICIPATION will constitute 10% of the course grade.

1.      Class participation is a portion of the grade based on the instructor’s estimation of the integrity of each student’s timely engagement with the course material and the classroom environment.

2.      In part, this portion of the grade will be based on the various course assignments detailed above. How promptly and well are they done?

3.      In part, this portion of the grade will be based on an assessment of the overall consistency and quality of each student's attentiveness and involvement in the course.  Attentiveness and involvement include discussion, listening, and note-taking.  Talkativeness is not the standard, though, any more than is silence.  Rather, the goal for each student is an overall consistent engagement with the material of the course in class, which, while allowing for differences in personalities and variety in class sessions, could by a reasonable observer at the end of the course be deemed, if exceptional, "excellent," or if not exceptional, at least "good."

4.      Of course, attendance is essential to class participation (see also below under section labeled Time In and Out of Class). When appropriate, the instructor is prepared to be flexible with occasional student scheduling problems, but the instructor must be consulted.  “Exceptions” are not an entitlement.

 

COURSE MISCELLANY:

1. Late Assignments

1.      All assignments are due as stated in the syllabus or announced in class.

2.      Extensions due to illness, approved field trips, regularly scheduled games or performances, or other reasons outside the control of the student can be made, but it is up to the student to petition the instructor for such legitimate extensions.

3.      Paper: If a paper is handed in late up to a week after it was due and without a legitimate extension, it will normally receive a penalty of at least one full grade down from whatever score the work merits apart from the penalty.  If a paper is over a week late and without a legitimate extension, it will not be accepted.

4.      Finals: Finals can only be rescheduled through application to the Registrar's Office; a Final Exam Change form is linked to the Registrar's Form webpage. Travel plans are not a legitimate reason for rescheduling finals.  All course material must be in to the instructor by the scheduled period; no materials will be accepted thereafter.

2. Academic Honesty

1.      It is expected that all reading and written work done in and for the course will be done with integrity.  That is, reading and writing as assigned is to be done with honest single-mindedness by each student, without undue reliance on others to do the work and without deceit about the work's timeliness, authorship, and sources.  Integrity of this sort is not easy or convenient; it does not provide shortcuts or guarantee "As."  Yet it is the best path to growth in wisdom, and wisdom is the fruit of education most to be savored.

2.      Academic dishonesty includes cheating and plagiarism, as defined in the Student and Faculty Handbooks.

3.      Cheating in exams, plagiarizing in papers, and other forms of academic dishonesty, will, when duly determined, lead to a "0" score for the assignment involved and the filing of a report with the Office of the Provost, per the Student and Faculty Handbooks.

3. Grading

1.      We the faculty of the History Department do not believe that "grade inflation" is good for you. Jesus admonishes us to "Let your word be 'Yes, Yes' or 'No, No'" (Mt. 5:37); in other words, let grades have integrity as indicators of knowledge and/or competence for a given assignment or course.

2.      Therefore, an A=excellent or outstanding work; B=good work (more than adequate but not excellent); C=sufficient work (the assignment or the course’s requirements have been met, but not with any remarkable quality); D=insufficient work (does not fully meet the assignment); F=failing work.

3.      Grades for assignments and for the course as a whole are based on a 100% scale, as follows:

 

A = 90-100

B = 80-89

C = 70-79

D = 60-69

F = 0-59

4.      Within the 100% scale for letter grades, + and - will be given on the following scale (exceptions: no A+ or F + or F-):

 

 

+ = x7-x9

- = x0-x2

 

 

 

 

·         Remember--grades are NOT a measure of your personal worth; that is already established by God! Grades are measures of the quality of your work for a given assignment and/or course--nothing more and nothing less.

4. Advice for Doing Well in History Courses:

A. READING

·         There are three important things you should do with the reading: Read it all; take notes on it so that you can use it; and draw on all of it that may be relevant for each course assignment.

·         Reading for history courses is not so much about memorizing data, but about seeing the structure, the argument, and the supporting evidence in a reading, and to also think critically about context, authorship, and audience.  Mark and take notes on these things as you read.  The time you take on making notes as you read will save you time later when you go back to look for material for your writing assignments.

·         There is not enough in-class time to go over all the reading, but, if there is something in the reading you wish to ask about or discuss, please, do not hesitate to raise your question or make your observation.  If you become an active, engaged reader, it will help you learn, not just in this course but others as well.

 

 

B. WRITING

·         Writing is the primary method by which you will show me that you have read the assigned material and not only considered it thoughtfully, but also considered in-class discussions, films, and other materials.

·         In most history courses, including this one, some research is required.  Research is not, in and of itself, mysterious, but, to be done well, it needs to be done critically (i.e., analytically) and thoroughly.  This criticalness and thoroughness demands time, and also, of course, reading, but the end result is written.

·         Since this is a history course, grammar, spelling, syntax, and other such things that might well be graded in a writing course are not the focus in your writing here.  Nonetheless, the better you are at writing a clearly worded, coherently ordered essay with an introduction, a thesis or claim, several main points (with supporting evidence from the reading and other course materials), and a summary conclusion, the better the historical substance of your writing will stand out.  For help with writing, please don't hesitate to see history tutors in the Writing/Academic Support Services Center (VP127).

C. THE PACE OF THE CLASS

·         This course may seem "slow" in terms of written assignments, but do not take the slowness for lack of rigor in how the main assignments will be graded.

·         As the past itself took time, so this course about the past has to let some things unfold before there can be meaningful interaction with course material.  Moreover, research takes time: to select a topic, to do the research, and write the paper.  Thus, there is no good way around the necessity to have more than 50% of the course grade with assignments due in the second half of the class.

·         So, plan ahead! Don't let yourself fall behind; all the major due dates are in the syllabus, and the reading assignments are there as well.  A good habit to cultivate is to read ahead, especially for materials that will be the focus of class discussion.

D. TIME IN AND OUT OF CLASS

·         The old wisdom still stands: "you reap what you sow" (Gal. 6:7b).  Sooner or later, what one puts into something is usually directly related to what one receives, whether one is engaging in farming, music, sports, drama, or studying.

·         As noted above, reading is central to this class--and reading takes time.  Research also takes time.  (And, history courses are 2/4 credits, further reflecting the importance for work outside class.)  A rule of thumb for humanities courses (history, literature, philosophy, religion) is that spending 2 hours on the class in addition to every hour in class usually brings better fruit than spending less than that.  That is, for a 3-hour-a-week, 4 credit class, an average of 6 hours per week on the class is a reasonable goal if you wish to do well in the class.

·         If you signed up for this course, I expect you to be in class.  Yet, I do not take class attendance.  I have other ways I would rather spend class time, and I assume that you are adults and that you will thus be in class unless an emergency intervenes.  I hope that you are interested in the course (or that I can awaken interest in you for the course), and that you will thus want to come.  I will try hard not to waste your time.  Apart from this, someone is paying lots of money for you to attend here, and presumably you (and whoever else is involved) are interested in getting your money's worth from your investment.  And, the less you are in class, the more you miss opportunities for understanding the course material: discussions; concepts explained; themes noted; issues to ponder; connections to make; additional material presented; explanations of assignments or other things; etc.  Someone else's notes seldom do a good job of capturing such things.  Finally, I (and other faculty) notice more than you might think.  If you are absent a lot, and with no legitimate explanation, then when it comes time for me to total up your work for a course grade, I will have little to no reason to give you any benefit of the doubt.

E. STUDY ADVICE 

·         Rule of thumb: If you wish to do well in history classes, generally plan on two hours of outside work for every in-class hour. Much reading and some writing is involved, and this takes time to do adequately, let alone well.

·         Spirituality: Approach your studies with a prayerful attitude. Pray for discipline, for attentiveness, for discernment and understanding. Christ is Lord of all of life, so is he Lord of our learning. Give him the glory with the mind he has given you. We don't think of playing an instrument or playing basketball without practice; why would anyone think that glorifying God with our minds takes any less time--any less prayer and disciplined action?

·         Reading: READ ATTENTIVELY AND INTELLIGENTLY. For history courses, the point of reading is to gain information AND to put that information within some context, or thesis, or pattern. For the main text for the course, watch for all the cues authors give you as to 1) what detail is more important than others and 2) how the details are marshaled into larger patterns that "tell a story" or "make a point."

·         Further Help: You should be able to handle this course with sufficient time and attention. After all, hundreds of other students have. However, if you run into problems, DON'T HESITATE TO ASK FOR HELP: me, my student assistant, folks in the Writing Center.